Full text of Matt Cardin’s introduction to PORTRAITS OF RUIN by Joseph S. Pulver, Sr.
Tag: horror
“Lovecraftian horror at its best”: Don Webb reviews Richard Gavin’s ‘At Fear’s Altar’
What tangled web of eldritch synchronicities is this!? In 2006 I reviewed Richard Gavin’s strong first collection of supernatural/numinous horror fiction, Omens, for the journal Dead Reckonings. In the years after that, Richard and I forged a good online friendship. In 2011 he and I, and also our fellow horror scribe Simon Strantzas, roomed together…
Arthur Machen in the underworld
Fans and admirers of Arthur Machen and his literary universe of mystical terror take note: one week ago BBC Radio 4 broadcast a delicious half-hour exploration of Machen’s life, work, and literary legacy, presented in the form of a tour of various sites in Wales that are relevant to his biography and major themes. It’s…
Lovecraft, Tolkien, and the nightmare as “a necessary drug for the mass consciousness”
Here’s a description of the book Nightmare: From Literary Experiments to Cultural Project (Brill, 2013) by Russian-born literary and cultural scholar Dina Khapaeva, who is currently serving as chair of the School of Modern Languages at Georgia Tech: What is a nightmare as a psychological experience, a literary experiment and a cultural project? Why has…
Eldritch landscapes: The real places behind Lovecraft’s fictions
In 2009 science journalist Joahua Foer and his friend Dylan Thuras launched Atlas Obscura, a Website intended to be “the definitive guide to the world’s wondrous and curious places.” As Foer said in an article for Boing Boing, “The Atlas is a collaborative project whose purpose is to catalog all of the ‘wondrous, curious, and…
How to read Lovecraft: A practical beginner’s guide
NOTE: When you’re finished with this article, be advised that it has a sequel. After reading “Lovecraft: Invading the ego with shadows from the id,” a friend and coworker asked if I could “give a first-time Lovecraft reader a title to start with!” The answer to such a request is of course a resounding yes,…
Stephen King on writing, inner dictation, and his fears for the future of reading
There’s a nifty interview with Stephen King in last weekend’s edition of that bastion of substantive journalism, Parade magazine. It’s actually the cover feature, which knocks the usually fluff-filled magazine up a notch in my (probably immaterial) estimation. Among the highlights are the following points of interest: King explains why he’s not a horror writer:…
Lovecraft: Invading the ego with shadows from the id
Recently published at the online Trebuchet Magazine, which “champions contemporary art, activist politics, and ecstatic music” and strives to be “A creative magazine minus the lifestyle upsell,” this brief and astute analysis of Lovecraft cuts right to the heart of his deep and enduring appeal as a visionary supernatural horror writer whose works resonate with an…
Coins for the Ferryman: Horror as the Key to Our Dark Inner Depths
The analysis of Horror is, like almost everything else related to the genre, paradoxical. Because the genre is so rife with archetypal imagery and taboo subjects, it seems that any attempt to rationalize or understand it in purely intellectual terms is ineffectual, or at the very least inadequate. Whereas most other forms of artistic expression…
The meaning of horror and “that dark sorcerer” Cormac McCarthy (with nods to Ligotti)
In the latest entry in “By Heart,” an article series from The Atlantic “in which authors share and discuss their all-time favorite passages in literature,” novelist Benjamin Percy, author of the just-released werewolf novel Red Moon, talks about the deep and permanent emotional impact that he experienced from reading a certain passage in Cormac McCarthy’s…